| FICTION

Agee, James. A Death in the
Family. 1957. On a sultry summer night
in 1915, Jay Follet leaves his house in Knoxville, Tennessee, to tend to his
father, whom he believes is dying. The summons turns out to be a false alarm,
but on his way back to his family, Jay has a car accident and is killed
instantly.

Allison, Dorothy. Bastard Out of
Carolina. 1992.
Greenville County, South Carolina, a wild, lush
place, is home to the Boatwright family -- rough-hewn men who drink hard and
shoot up each other's trucks, and indomitable women who marry young and age all
too quickly. At the heart of this astonishing novel is Ruth Anne Boatwright,
known simply as "Bone," a South Carolina bastard with an annotated birth
certificate to tell the tale.
 Alvarez, Julia.
In the Time of Butterflies. 1994.
Set during the waning days of the Trujillo
dictatorship in the Dominican Republica in 1960, this extraordinary novel tells
the story the Mirabal sisters, three young wives and mothers who are
assassinated after visiting their jailed husbands.
 Anaya, Rudolfo.
Bless Me, Ultima. 1972.
Antonio Marez is six years old when Ultima enters
his life. She is a curandera, one who heals with herbs and magic. 'We cannot let
her live her last days in loneliness,' says Antonio's mother. 'It is not the way
of our people,' agrees his father. And so Ultima comes to live with Antonio's
family in New Mexico. Soon Tony will journey to the threshold of manhood.
Always, Ultima watches over him. She graces him with the courage to face
childhood bigotry, diabolical possession, the moral collapse of his brother, and
too many violent deaths.
 Atwood, Margaret. The
Handmaid's Tale. 1986.
It is the world of the near future, and Offred is
a Handmaid in the home of the Commander and his wife. She is allowed out once a
day to the food market, she is not permitted to read, and she is hoping the
Commander makes her pregnant, because she is only valued if her ovaries are
viable. Offred can remember the years before, when she was an independent woman,
had a job of her own, a husband and child. But all of that is gone
now...everything has changed.
 Butler, Octavia.
Parable of the Sower. 1993.
Forced to flee an America where anarchy and
violence have completely taken over, empath Lauren Olamina--who can feel the
pain of others and is crippled by it--becomes a prophet carrying the hope of a
new world and a new faith christened "Earthseed."
 Card, Orson Scott.
Ender's Game. 1985.
Once again, the Earth is under attack. Alien "buggers" are
poised for a final assault. The survival of the human species depends on a
military genius who can defeat the buggers. But who? Ender Wiggin. Brilliant.
Ruthless. Cunning. A tactical and strategic master. And a child. Recruited for
military training by the world government, Ender's childhood ends the moment he
enters his new home: Battleschool. Among the elite recruits Ender proves himself
to be a genius among geniuses. In simulated war games he excels. But is the
pressure and loneliness taking its toll on Ender? Simulations are one thing. How
will Ender perform in real combat conditions? After all, Battleschool is just a
game. Right?
 Chopin, Kate.
The Awakening. 1899.
Discontented with her comfortable but stagnant
marriage, a New Orleans woman on vacation with her family meets several
remarkable women and two desirable men who set her off on a different and
difficult path: to live according to her own needs rather than in accordance
with the rigid standards of society. First published in 1899, this book was
rediscovered in the 1960s and pronounced a feminist classic for its open
treatment of a woman's search for self-understanding.
 Cisneros, Sandra. The
House On Mango Street. 1991.
The House on Mango Street tells the story
of Esperanza Cordero, whose neighborhood is one of harsh realities and harsh
beauty. Esperanza doesn't want to belong - not to her run-down neighborhood, and
not to the low expectations the world has for her. Esperanza's story is that of
a young girl coming into her power, and inventing for herself what she will
become.
 Dostoyevsky, Fyodor.
Crime and Punishment. 1866.
Crime and Punishment (1866) is the story
of a murder committed on principle, of a killer who wishes by his action to set
himself outside and above society. A novel of great physical and psychological
tension, pervaded by Dostoevsky's sinister evocation of St Petersburg, it also
has moments of wild humour. Dostoevsky's own harrowing experiences mark the
novel. He had himself undergone interrogation and trial, and was condemned to
death, a sentence commuted at the last moment to penal servitude.
 Ellison, Ralph.
Invisible Man. 1952.
The nameless narrator of the novel describes
growing up in a black community in the South, attending a Negro college from
which he is expelled, moving to New York and becoming the chief spokesman of the
Harlem branch of "the Brotherhood", and retreating amid violence and confusion
to the basement lair of the Invisible Man he imagines himself to be.

Emecheta, Buchi.
Bride Price. 1976.
A story about a Nigerian girl who is allowed to
finish her education because a diploma will enhance her bride price, who then
rebels against traditional marriage customs.
 Faulkner, William.
The Bear. 1931.

Frazier, Charles. Cold
Mountain. 1997.
Based on local history and family stories passed
down by the author's great-great-grandfather, Cold Mountain is the tale
of a wounded soldier Inman, who walks away from the ravages of the war and back
home to his prewar sweetheart, Ada. Inman's odyssey through the devastated
landscape of the soon-to-be-defeated South interweaves with Ada's struggle to
revive her father's farm, with the help of an intrepid young drifter named Ruby.
As their long-separated lives begin to converge at the close of the war, Inman
and Ada confront the vastly transformed world they've been delivered.
 Gaines, Ernest. A
Lesson Before Dying. 1993.
A young man who returns to 1940s Cajun country to
teach visits a black youth on death row for a crime he didn't commit. Together
they come to understand the heroism of resisting.
 Gardner, John.
Grendel. 1971.
The first and most
terrifying monster in English literature, from the great early epic BEOWULF,
tells his side of the story.
 Gibbons, Kaye.
Ellen Foster. 1987.
"When I was young, I would think of ways to kill
my daddy." So begins Kaye Gibbon's debut novel, Ellen Foster, a powerful
story told by the epononymous Ellen, an 11-year orphan whose violent father is
responsible for her mother's suicide. Ellen is eventually taken out of her
father's care and placed in a series of temporary homes—first with her
grandmother, where she is made to toil in the fields as twisted payback for her
father's brutality, and then with a neglectful aunt and her spoiled daughter,
Dora. Told as a dual narrative, Ellen Foster follows the heroine's
ordeals both chronologically and in reflection, and ends with her wish of a "new
mama" fulfilled.
 Heller, Joseph.
Catch-22. 1961.
Set in the closing months of World War II in an
American bomber squadron off Italy, Catch-22 is the story of a bombardier
named Yossarian, who is frantic and furious because thousands of people he
hasn't even met keep trying to kill him. Catch-22 is a microcosm of the
twentieth-century world as it might look to someone dangerously sane.
 Hemingway, Ernest.
Farewell to Arms. 1929.
A Farewell to Arms is the unforgettable
story of an American ambulance driver on the Italian front and his passion for a
beautiful English nurse.
 Hesse, Hermann.
Siddhartha. 1951.
In the novel, Siddhartha, a young man, leaves his
family for a contemplative life, then, restless, discards it for one of the
flesh. He conceives a son, but bored and sickened by lust and greed, moves on
again. Near dispair, Siddhartha comes to a river where he hears a unique sound.
This sound signals the true beginning of life —the beginning of suffering,
rejection, peace and, finally, wisdom.
 Huxley, Aldous.
Brave New World. 1932.
Huxley has set his story in the year 632 A.F. (After Ford, a
Utopian deity), in what was once Great Britain (now Utopia). "Happiness" is the
aim of the state, and "Community, Identity, Stability" its motto, to which are
sacrificed art, personal expression, and individual freedom. Real power is in
the hands of ten World Controllers, who exercise rigid control at all levels to
maintain their ideals: conditioning everyone to think alike, banning natural
births, and handing out the tranquilizer soma to those not happy enough.
Games, work, and social groups are structured to keep everyone content.
But there are still some non-Utopians remaining on the Savage
Reservation; and it is the discovery of the natural-born savage, John, and his
introduction to the Utopian society that drive the plot of Brave New
World. This compelling story challenges easy assumptions and raises
fundamental questions about individual freedom in the face of scientific
"advances" for the common good.

Keneally, Thomas.
Schindler's List. 1982.
Schindler's List is a remarkable work of
fiction based on the true story of German industrialist and war profiteer, Oskar
Schindler, who, confronted with the horror of the extermination camps, gambled
his life and fortune to rescue 1,300 Jews from the gas chambers.
Working with the actual testimony of Schindler's Jews, Thomas
Keneally artfully depicts the courage and shrewdness of an unlikely savior, a
man who is a flawed mixture of hedonism and decency and who, in the presence of
unutterable evil, transcends the limits of his own humanity.
 King, Laurie R.
The Beekeeper's Apprentice, or, on the Segregation of the
Queen. 1994.
In 1915, long since retired from his
crime-fighting days, Sherlock Holmes is engaged in a reclusive study of
honeybees on the Sussex Downs. Never did the Victorian detective think to meet
an intellect matching his own-until his acquaintance with Miss Mary Russell, a
young twentieth-century lady whose mental acuity is equaled only by her penchant
for deduction, disguises, and danger. Under Holmes's reluctant
tutelage,
 Kosinski, Jerzy.
Painted Bird. 1965.
A harrowing story that follows the wanderings of a
boy abandoned by his parents during World War II, The Painted Bird is a
dark masterpiece that examines the proximity of terror and savagery to innocence
and love.
 Lee, Harper.
To Kill a Mockingbird. 1960.
Lawyer Atticus Finch defends the real mockingbird of Harper
Lee's classic, Puliter Prize-winning novel—a black man charged with the rape of
a white woman. Through the eyes of Atticus's children, Scout and Jem Finch,
Harper Lee explores with rich humor and unanswering honesty the irrationality of
adult attitudes toward race and class in the Deep South of the
1930's.

LeGuin, Ursula.
The Left Hand of Darkness. 1969.
When the human ambassador Genly Ai is sent to
Gethen, the planet known as Winter by those outsiders who have experienced its
arctic climate, he thinks that his mission will be a standard one of making
peace between warring factions. Instead the ambassador finds himself wildly
unprepared. For Gethen is inhabited by a society with a rich, ancient culture
full of strange beauty and deadly intrigue - a society of people who are both
male and female in one, and neither. This lack of fixed gender, and the
resulting lack of gender-based discrimination, is the very cornerstone of Gethen
life. But Genly is all too human. Unless he can overcome his ingrained
prejudices about the significance of "male" and "female," he may destroy both
his mission and himself.
 McCullers, Carson.
The Member of the Wedding. 1946.
Frankie was afraid of the dark and envious of the
older girls. But as F. Jasmine, in a pink dress, she looked sixteen. No longer a
child, she accepted a date with a red-haired soldier and purchased a
sophisticated gown for the wedding. F. Jasmine had plans.
 McKinley, Robin.
Beauty. 1978.
Kind Beauty grows to love the Beast at whose
castle she is compelled to stay and through her love releases him from the spell
which had turned him from a handsome prince into an ugly beast.
 Malamud, Bernard.
The Fixer. 1966.
Set in Kiev in 1911 during a period of heightened
anti-Semitism, the novel tells the story of Yakov Bok, a Jewish handyman blamed
for the brutal murder of a young Russian boy. Bok leaves his village to try his
luck in Kiev, and after denying his Jewish identity, finds himself working for a
member of the anti-Semitic Black Hundreds Society. When the boy is found nearly
drained of blood in a cave, the Black Hundreds accuse the Jews of ritual murder.
Arrested and imprisoned, Bok refuses to confess to a crime that he did not
commit.
 Markandaya, Kamala.
Nectar In A Sieve. 1954.
Married as a child bride to a tennant farmer she
had never seen, she worked side by side in the field with her husband to wrest a
living from land that was ravaged by droughts, monsoons, and insects. With
remarkable fortitude and courage, she sought to meet changing times and fight
poverty and disaster. She saw one of her infants die from starvation, her
daughter become a prostitute, and her sons leave the land for jobs which she
distrusted. And, somehow, she survived...
 Mason, Bobbi Ann.
In Country. 1985.
In the summer of 1984, Sam, her 35-year-old uncle
Emmett -- himself a veteran who may be suffering from exposure to Agent Orange
-- and her grandmother set out from Hopewell, Kentucky, on a road trip to the
Vietnam Veterans Memorial in Washington, D. C. Growing up in an era where video
games and television reruns of 'M*A*S*H are more "real" than the entries
in her father's military journal or her uncle's tormented memories, Sam must
come to her own terms with the war's lasting effect on her family and her small
community.
 Mori, Kyoko.
Shizuko's Daughter. 1993.
After her mother's suicide when she is twelve
years old, Yuki spends years living with her distant father and his resentful
new wife, cut off from her mother's family, and relying on her own inner
strength to cope with the tragedy.
 Morrison, Toni.
Beloved. 1987.
In the troubled years
following the Civil War, the spirit of a murdered child haunts the Ohio home of
a former slave. This angry, destructive ghost breaks mirrors, leaves its
fingerprints in cake icing, and generally makes life difficult for Sethe and her
family; nevertheless, the woman finds the haunting oddly comforting for the
spirit is that of her own dead baby, never named, thought of only as Beloved.
 O'Brien, Tim. The Things
They Carried: A Work of Fiction. 1990.
The Things They Carried is an unparalleled Vietnam
testament, a classic study of men at war that brilliantly -- and painfully
--illuminates the capacity, and the limits, of the human heart and soul.
Focusing on the members of a single platoon (one of whom happens to be a
21-year-old grunt named Tim O'Brien) the 22 interconnected stories of this
collection catalogue not only the things they carried into battle -- M-16s,
grenade launchers, candy, Kool-Aid, and cigarettes -- but more importantly, the
things they carried inside, and the nightmares they carried home.

O'Connor, Flannery. Everything That
Rises Must Converge. 1965.
The flawed
characters of each story are fully revealed in apocalyptic moments of conflict
and violence that are presented with comic detachment. The title story is a
tragicomedy about social pride, racial bigotry, generational conflict, false
liberalism, and filial dependence. The protagonist Julian Chestny is
hypocritically disdainful of his mother's prejudices. His smug selfishness is
replaced with childish fear when she suffers a fatal stroke after being struck
by a black woman she has insulted out of oblivious ignorance rather than malice.
Similarly, "The Comforts of Home" is about an intellectual son with an Oedipus
complex. Driven by the voice of his dead father, the son accidentally kills his
sentimental mother in an attempt to murder a harlot. The other stories are "A
View of the Woods," "Parker's Back," "The Enduring Chill," "Greenleaf," "The
Lame Shall Enter First," "Revelation," and "Judgment Day."
 Potok, Chaim.
The Chosen. 1967.
In 1940s Brooklyn, New York, an accident throws
Reuven Malther and Danny Saunders together. Despite their differences (Reuven is
a Modern Orthodox Jew with an intellectual, Zionist father; Danny is the
brilliant son and rightful heir to a Hasidic rebbe), the young men form a deep,
if unlikely, friendship. Together they negotiate adolescence, family conflicts,
the crisis of faith engendered when Holocaust stories begin to emerge in the
U.S., loss, love, and the journey to adulthood. The intellectual and spiritual
clashes between fathers, between each son and his own father, and between the
two young men, provide a unique backdrop for this exploration of fathers, sons,
faith, loyalty, and, ultimately, the power of love.
 Power, Susan.
The Grass Dancer. 1994.
Back in the 1860s, Ghost Horse, a handsome young
heyo'ka, or sacred clown, loved and lost the beautiful warrior woman Red Dress.
Since then, their spirits have sought desperately to be reunited, and it is the
ceaseless playing out of this drama that shapes the sometimes violent fate of
those who have come after them. Now, in the 1980s, Charlene Thunder, a teenage
descendant of Red Dress, is in love with Harley Wind Soldier, the dashing
traditional dancer of Ghost Horse's lineage. When Harley's redheaded soul mate,
Pumpkin, dies in a crash, Charlene guiltily suspects her own grandmother, the
notorious witch Anna Thunder, of causing it - as she well may have caused the
collision that claimed Harley's father and brother, which even today obsesses
him. Charlene and Harley each strive in solitude to make peace with the ghosts
of the old ways, while they contend with the living: Jeannette McVay, an eastern
college student who has been studying the tribe; Crystal Thunder, who must
escape the reservation in order to understand her past; Herod Small War, whose
spiritual guidance is both revered and resented; Margaret Many Wounds, Harley's
grandmother, who walks on the moon.
 Shaara, Michael.
Killer Angels. 1974.
July 1863. The Confederate Army of Northern
Virginia is invading the North. General Robert E. Lee has made this daring and
massive move with seventy thousand men in a determined effort to draw out the
Union Army of the Potomac and mortally wound it. His right hand is General James
Longstreet, a brooding man who is loyal to Lee but stubbornly argues against his
plan. Opposing them is an unknown factor: General George Meade, who has taken
command of the Army only two days before what will be perhaps the crucial battle
of the Civil War.
 Steinbeck, John.
The Grapes of Wrath. 1939.
Although it follows the movement of thousands of
men and women and the transformation of an entire nation, The Grapes of
Wrath is also the story of one Oklahoma farm family, the Joads, who are
driven off their homestead and forced to travel west to the promised land of
California.
 Uchida, Yoshiko.
Picture Bride. 1987.
Carrying a photograph of the man she is to marry
but has yet to meet, young Hana Omiya arrives in San Francisco, California, in
1917, one of several hundred Japanese "picture brides" whose arranged marriages
brought them to America in the early 1900s. Her story is intertwined with
others: her husband, Taro Takeda, an Oakland shopkeeper; Kiku and her husband
Henry, who reject demeaning city work to become farmers; Dr. Kaneda, a respected
community leader who is destroyed by the adopted land he loves. All are caught
up in the cruel turmoil of World War II, when West Coast Japanese Americans are
uprooted from their homes and imprisoned in desert detention
camps.
 Watson, Larry.
Montana 1948. 1993.
The events of that small-town summer forever alter
David Hayden's view of his family: his self-effacing father, a sheriff who never
wears his badge; his clear sighted mother; his uncle, a charming war hero and
respected doctor; and the Hayden's lively, statuesque Sioux housekeeper, Marie
Little Soldier, whose revelations are at the heart of the story. It is a tale of
love and courage, of power abused, and of the terrible choice between family
loyalty and justice.
 Wright, Richard.
Native Son. 1940.
Right from the start, Bigger Thomas had been headed for jail. It
could have been for assault or petty larceny: by chance, it was for murder and
rape. Native Son tells the story of this young black man caught in a
downward spiral after he kills a young white woman in a brief moment of panic.
Set in Chicago in the 1930s, Wright's powerful novel is an unsparing reflection
of the poverty and feelings of hopelessness experienced by people in inner
cities across the country and of what it means to be black in America.

Yolen, Jane.
Briar Rose. 1992.
. . . Around the castle there grew a hedge
of thorns, which every year grew higher, and at last there was nothing more to
be seen, not even the flag upon the roof. But the story of the beautiful
sleeping princess, Briar Rose, went about the country so that from time to time
the King's sons came and tried to get through the thorny hedge . . . So goes the
German fairy tale of Briar Rose, the Sleeping Beauty ... an old, old tale, yet
so potent that few among us do not know it today. Now one of America's most
celebrated writers tells it afresh, set this time in forests patrolled by the
German army during World War II - a tale with no guarantee of an ending that
reads they lived happily ever after. A young American journalist is drawn to
Europe and to the past as she investigates the mystery of her grandmother's
life. From her grandmother she inherited a silver ring, a photograph, and the
traditional tale of Briar Rose: clues that will ultimately lead her to a distant
land and an astonishing revelation of death and rebirth.
*All annotations from book publishers, book covers from
www.barnesandnoble.com.
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